古早廟口熱鬧的布袋戲，戲棚下人是滿滿滿，不過這種野台戲受到電影、電視的衝擊，時代改變，戲棚下、看戲的人變少了，老藝師說，雖然現在演戲沒人看、不過神明有在看，所以還是要認真做、認真演，「搬戲‧人生」節目要帶大家來看新樂園布袋戲團老藝師的堅持。
台灣的布袋戲在廟口興旺的時候，老藝師還青春年少，在戲台演一齣又一齣的戲文，說到新樂園拚台的那段過去，吳清發眼神會發亮。
==新樂園掌中劇團 團長吳清發==
古早在演戲 廟口有搭很多棚
看哪一棚比較會演
我們新樂園就是 也可以說
出門 最差就拚到平手
「員林新樂園掌中劇團」1949年成立，當時才17歲的吳清發跟父親走過布袋戲最風光的時代，在"大家樂"流行的時候，請戲謝神演出做不完，人手不夠、就用錄音帶來演出，變成當時戲班做生意的方法。
[[ns 錄音唸口白]]
==新樂園掌中劇團第三團主演吳清秀==
錄音下去 一天可以做七八場
師傅請十多人
一年做二千多場
我是看他說 這個錄音還真不錯
吳清秀是吳清發的弟弟，是新樂園第三團的主演，少大哥14歲，他的錄音帶品質好又精彩，全台灣都有戲班在用，不過也有人認為演戲用錄音破壞傳統，讓布袋戲越來越衰微，不過他認為這不是主要的原因。
==新樂園掌中劇團第三團主演吳清秀==
電視好過頭 觀眾不去戶外看野台戲
風 雨 冬天冷 夏天有蚊子
變成戲沒人看 你要怎麼去發展
老藝師無法度改變時代，現在，戲台上，腳步慢了、頭髮白了，戲台下，靜靜無聲，已經無人影。
==新樂園掌中劇團 團長吳清發==
現在民戲會少就是因為沒競爭力
你演出好看不好看
也可以說就沒落到沒人在看
觀眾走掉不要緊，神明還在那裡看，對藝術、對神明、對自己，身為一個布袋戲的藝師，有他的驕傲，有他的堅持。(綜合報導)
The craftsman is very passionate about his job. This is like a culture that should be preserved. fnaf
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